The October 2022 Guide to the Best Places in London
From what to see to what to watch, and where to eat.

Theo Fraser Steele in "A Single Man"; Chef Santiago Lastra’s KOL restaurant; "Two Men," 1987-88, Lucian Freud.
London is having its busiest period this fall: a state funeral; one big London Fashion Week, as well as a mini one; the Frieze Art Fair, and the BFI London Film Festival. The city is still jam-packed with multicultural offerings, from Israeli food, Iranian art to real stories told onstage.
Where to Eat
Miznon

Celebrity Israeli chef Eyal Shani is bringing his restaurant chain Miznon to London.
COURTESY OF MIZNON
Celebrity Israeli chef Eyal Shani is bringing his restaurant chain Miznon to London, after expanding in Paris; Vienna, Austria; Melbourne, Australia, and New York. The concept is an easy one: food for all, just as you would find in any Middle Eastern home. The menu includes roasted cauliflower and broccoli; ratatouille on tahini; lamb kebab; thin slices of rib eye steak, and more. Shani is about to become a name about town, the same way Yotam Ottolenghi has.
Milk Beach

A taste of Australia in London’s Soho.
COURTESY OF MILK BEACH
A taste of Australia in London’s Soho and Queen’s Park. The restaurant serves brunch all day featuring a heavy seafood menu, from kingfish crudo to a yellow monkfish and mussels curry. At the Queen’s Park branch, the parasol outside adds to the Aussie ambience.
Zēphyr

London’s Notting Hill is getting the Greek treatment with Zēphyr.
COURTESY OF ZĒPHYR
London’s Notting Hill is getting the Greek treatment with Zēphyr, a new restaurant from the Pachamama group whose other locations dish out Peruvian food. The venture is named after the Greek god of the west wind, which aptly fits the west London location. Greek South American chef John Skotidas is heading up the kitchen serving up tarama, a cod roe emulsion; soutzoukakia, spiced mince beef with cumin yogurt; crispy potato terrine, and Loukoumades, fluffy sweet honey balls that are the Greek version of doughnuts.
KOL

KOL is Mexican food not as you know it.
COURTESY OF KOL / CHARLIE MCKAY
KOL is Mexican food not as you know it. Chef Santiago Lastra’s concept restaurant is all about “simple flavors in bold combinations,” made with British ingredients. The autumn dishes on the menu include chicharrón with wild mushrooms; carnitas, which translates to little meats, using confit pork cheek, and elote, a sweetcorn cake with buttermilk ice cream and fig leaf. The restaurant has its own online store that stocks wine and mezcal.
What to See
Keeping It Surreal: Objects of Desire

The weird and wonderful is taking place at the Design Museum.
COURTESY OF DESIGN MUSEUM
The weird and wonderful is taking place at the Design Museum, which has been curated with the Vitra Design Museum. “Keeping It Surreal: Objects of Desire” tracks the movement of surrealism from 1924 to the present day featuring more than 300 objects on display, including Dalí’s Lobster Telephone and Man Ray’s The Gift (Le Cadeau). A part of the exhibition will focus on fashion’s relationship with surrealism demonstrated by pieces such as Daniel Roseberry’s contemporary take on Elsa Schiaparelli’s design and Maria Grazia Chiuri’s Salvador Dalí ensemble for Dior.
The Credit Suisse Exhibition Lucian Freud: New Perspectives

“Two Men,” 1987-88 by Lucian Freud (1922-2011); 106.7×75 cm; National Galleries of Scotland, Edinburgh; (Scottish National Gallery of Modern Art, Edinburgh, UK); © National Galleries of Scotland.
BRIDGEMAN IMAGES
The National Gallery has staged seven decades of Lucian Freud’s work, starting with his early pieces such as “Girl with Roses” from the 1940s; “Reflection With Two Children” in the 1960s, through to the 2001 portrait of Queen Elizabeth II. The exhibition includes more than 60 loans from museums and major private collections around the world.
Soheila Sokhanvari: Rebel Rebel

The Love Addict (Portrait of Googoosh), 2019 © Soheila Sokhanvari. Courtesy of the artist and Kristin Hjellegjerde gallery.
COURTESY OF THE BARBICAN
The Barbican is hosting the first major U.K. commission by an Iranian artist. Soheila Sokhanvari’s show explores the lives of Iranian women between 1925 and the 1979 revolution. It’s a celebration of womanhood in 31 portraits, where all the subjects are captured with their hair uncovered.
The Horror Show!

Jake and Dinos Chapman, “Return of the Repressed 3,” 1997 2007.
COURTESY OF SOMERSET HOUSE
Somerset House is presenting the phenomenon of horror in three acts: “Monster,” “Ghost,” and “Witch,” with more than 200 works that examine how the genre has transformed in the last 50 years. The images on display look at the disruption of 1970s punk; modern witchcraft, and the global financial crisis of 2008. The artists used in the exhibition include Judy Blame, Leigh Bowery, David Shrigley, Marisa Carnesky, and more.
What to Watch
A Single Man

Theo Fraser Steele in “A Single Man.”
MICHAEL WHARLEY
Christopher Isherwood’s 1964 novel “A Single Man” is getting a West End stage take at the Park Theatre. It has the same premise as Tom Ford’s film, following college professor George as he grieves the death of his long-term partner, Jim. Theo Fraser Steele is set to play the main role and in November he will be starring in Netflix’s “The Crown,” as Princess Anne’s second husband, Timothy Laurence.
Light of Passage

“Light of Passage” will be performed at The Royal Opera House.
COURTESY OF THE ROYAL OPERA HOUSE
Critically acclaimed choreographer Crystal Pite is returning to The Royal Opera House for “Light of Passage,” based on her Olivier Award-winning ballet “Flight Pattern,” which is based on the refugee crisis. Pite has worked with the likes of the Paris Opera Ballet, the National Ballet of Canada and Nederland Dans Theater.
The Boy With Two Hearts

Brothers Hamed & Hessam Amiri are sharing their real-life experiences on stage at The National Theatre.
COURTESY OF THE NATIONAL THEATRE
Brothers Hamed & Hessam Amiri are sharing their real-life experiences on stage at The National Theatre. Their family fled Herat, Afghanistan, in 2000 after their mother spoke out against the Taliban. The family escaped their home by way of Russia and through Europe until seeking refuge in the U.K., by which the eldest son’s life-threatening heart condition worsens.
Tammy Faye

Elton John during the rehearsals for “Tammy Faye.”
MARC BRENNER / COURTESY OF ALMEIDA THEATRE
Elton John is spreading the gospel of Tammy Faye and Jim Bakker at London’s Almeida Theatre with a new musical about the couple that preached to millions of people 24 hours a day from their South Carolina studio. The true story is directed by the theater’s artistic director Ruper Goold. The Hollywood production “The Eyes of Tammy Faye,” starring Jessica Chastain and Andrew Garfield, won two Academy Awards in 2022.
Brunello Cucinelli Shares Soar on Back of Strong Nine-month Results
The year 2022 is expected to be a record one for the company.
MILAN — Brunello Cucinelli shares climbed all day on Thursday, closing up 10.15 percent at 57.50 euros on the Milan Stock Exchange, following the release of strong nine-month figures the evening before and forecasting a record 2022. Shares over the past year have gained 17.68 percent and 13.3 percent in the past six months.
The Italian luxury company reported a 27.7 percent increase in revenues to 642 million euros in the nine months ended Sept. 30, compared with the same period last year.
On top of that, relying on its strong manufacturing pipeline, Cucinelli expects a 25 percent increase in revenues for the year and a 10 percent gain in the top line for 2023 based on the order intake for the men’s and women’s spring 2023 collections.
The company is poised to double sales ahead of its 10-year plan revealed in 2019 and introduced a new five-year plan beginning in 2023, considering 2022 a “non-linear year.”
Equity analysts Flavio Cereda and Kathryn Parker at Jefferies in their report stated that, “We continue to believe that [Brunello Cucinelli] is entitled to high multiples versus most peers,” and that revenues beat their expectations. The performance “validates our view that its unique brand profile at the top end is likely to be a safe haven” and rated Cucinelli shares as a “buy.” “Current trends look like a doubling of sales in six years versus the original stated assumption of 10.”
Cereda and Parker expressed their belief that Cucinelli’s “very resilient customer profile, category and geographical expansion opportunities will allow” the company to secure growth “but above all retain its unique characteristics that continue to distinguish it from all other players.” Jefferies estimated 2024 revenues to reach near 1.1 billion euros “and see no reason why 1.5 billion euros should not be comfortably achieved within five years.”
The namesake Cucinelli entrepreneur said he expects 2022 to be a record year and one of “total rebalancing, and along with the strong advancement in revenue after the pandemic period, we expect margins to completely rebalance, returning to ‘normal’ levels pre-pandemic.”
Growth in all markets and in the company’s retail and wholesale channels, as well as increases in both the women’s and men’s divisions, now representing almost a 50/50 balance, contributed to the strong nine-month performance.
L’Oréal’s Growth Streak Continues
Despite continuing to outperform the global beauty market in the three months ended Sept. 30, there were signs of weakening for the L’Oréal Luxe activity.
PARIS — L’Oréal continued its acceleration, registering third-quarter sales 20 percent above pre-pandemic levels and outperforming analyst expectations for the three months ended Sept. 30, despite a slowdown in growth for its Luxe division and ongoing difficulties in China.
The world’s largest beauty group on Thursday reported total sales of 9.58 billion euros for the three months ended Sept. 30, which represented a 19.7 percent year-on-year gain in reported terms and an increase of 9.1 percent on a like-for-like basis.
“In a context of unprecedented volatility, marked by the public health restrictions in China and inflation in the Western world, L’Oréal achieved a very solid quarter, continuing at a steady pace of growth compared to 2019,” said Nicolas Hieronimus, L’Oréal chief executive officer, in a statement released after the closure of the Paris Bourse.
“L’Oréal continues to shine,” wrote Bernstein analyst Bruno Monteyne in a research note. “What is remarkable is that L’Oréal still delivers double-digit organic growth, even when China doesn’t grow, confirming the success of its diversification across regions, across divisions and across price points.”
In a global beauty market that was up 6 percent in value in the first nine months of the year, L’Oréal’s sales gained 12 percent, Hieronimus told analysts during a conference call. The group benefited from its efforts to rebalance its geographic footprint and from exchange-rate effects, it said. It registered double-digit growth in all regions except North Asia and saw balanced gains across its divisions, all of which outperformed the beauty market overall, L’Oréal reported.
Nevertheless, the L’Oréal Luxe division, which includes brands such as Kiehl’s, Yves Saint Laurent and Biotherm, underperformed expectations. Its sales came in at 3.61 billion euros, an increase of 15.8 percent in reported terms and 4.6 percent on an organic basis, L’Oréal stated, numbers that Jefferies analyst Molly Wylenzek described as “well below expectations” — and below the results of its category peers, including LVMH Moët Hennessy Louis Vuitton.
The division was penalized by the Chinese lockdowns, weaker than anticipated performance in the U.S., with the exception of fragrance, and sourcing difficulties, notably for scent bottles.
For perfumes, Hieronimus said during the call, L’Oréal’s growth continues to outpace the market, with sales up 28 percent year-to-date compared with a market up 16 percent. “We would have had an even better performance in [the third quarter] had we had all the glass bottles we needed,” he commented. Looking forward, Hieronimus said, the division will focus on “allocating our capacities to the best performing brands.” Addressing issues for the Luxe activity in the U.S., Hieronimus admitted, “We could have done more from the innovation side….It’s in our hands, we just have to do it.”
One major bright spot for L’Oréal’s portfolio in the third quarter was its mass-market Consumer Products division, where reported sales were up 19.1 percent, or 10 percent on an organic basis, to reach 3.55 billion euros. Driven by its premiumization strategy as well as by price increases, the division’s performance was particularly strong in emerging markets, L’Oréal said, including “spectacular gains” in India and Mexico, as well as “solid growth” in the U.S. and Europe.
The Active Cosmetics division saw third-quarter sales leap 38.8 percent year-on-year in reported terms to 1.32 billion euros, a rise of 26 percent on an organic basis. Professional Products revenues, at 1.09 billion euros, gained 15.7 percent in reported terms and 4.3 percent like-for-like.
“All in all, the beauty market has grown in [the third quarter] at the same pace as it has done in the first half of the year, despite all the perturbations…the continuous difficulties in China with lockdowns that…we had not anticipated, all the more as they were simultaneously happening in Hainan and mainland China, [and] inflation in Europe,” Hieronimus said.
For the Chinese domestic market, said group chief financial officer Christophe Babule, L’Oréal’s sellout in the third quarter was up 6.7 percent compared with an overall market that was down 4.7 percent, numbers that were roughly stable compared with the first half, and with all divisions except Consumer Products reporting gains.
With the all-important Singles’ Day campaigns fast approaching and China’s leading influencers now back online, “I hope that Double 11 will be a good vintage in a market that right now remains pretty chilly because of the lockdowns,” Hieronimus said.
For the third quarter, at 2.41 billion euros, L’Oréal’s sales in North Asia grew 11.3 percent in reported terms, but only 0.3 percent like-for-like.
In Europe, the group’s sales were up 12.1 percent in reported terms or 10.5 percent like-for-like, to 2.88 billion euros. With the exception of the U.K., the beauty firm is seeing no signs yet of consumers trading down. “As far as the slowdown in consumption or trading down…we don’t see any major changes with a few exceptions….In the U.K. where inflation is the highest…we see a little bit of trading down, people spacing their visits to the hairdresser, buying a bit less premium skin care,” Hieronimus said.
North American sales for the three-month period gained 27.7 percent in reported terms and 9.3 percent like-for-like to hit 2.82 billion euros. While the company had feared a slowdown Stateside early in the quarter, he added, consumers who had traveled abroad over the summer had returned strongly after the break. “When they came back to the U.S. in August and September, it was back to school, back to stylists and back to derms, so that was very positive.”
In the emerging markets of the South Asia-Pacific, Middle East, North Africa and sub-Saharan Africa [or SAPMENA-SSA] zone, revenues gained 41.5 percent, or 30 percent like-for-like, to 787.7 million euros, while in Latin America, high inflation helped drive sales up 36.5 percent in reported terms — or 16.2 percent like-for-like — to 675.6 million.
While inflation accounted for a large part of sales gains in the third quarter as price increases were implemented at all of the divisions, volume sales were also positive for all but the L’Oréal Luxe division, said Babule. By region, volumes were up everywhere except North Asia, he said. “Besides the price increase, we see that in most of our business, whether by region or by division, we are in positive territory in terms of volume.” In the U.S., Hieronimus said, “consumers are kind of getting used to this inflation situation and they are considering spending money on beauty favorably.”
In the first nine months of 2022, the group’s sales grew 20.5 percent on a reported basis and 12 percent like-for-like, to reach 27.94 billion euros.
Grindr Public Listing Can’t Keep It Casual
Gay-dating platform will probably get slow fade from investors in this market
Investors will soon be able to hook up with the world’s most-popular gay-dating platform. A merger with the special-purpose acquisition company Tiga Acquisition, announced in May, values Grindr at $2.1 billion and is expected to close by the end of the year. As with any SPAC merger, historical details on the business are slim. In online dating, though, a snapshot often says all you need to know.
Grindr’s popularity relative to its total market size is impressive. A study commissioned by Grindr estimates the size of the LGBTQ+ population as of 2021 was just about 7% of the global tally. Meanwhile, Grindr had amassed 601,000 paying users as of last year, according to its registration filing, about 40% of the number of paying users of Bumble, the No. 2 dating app after Tinder.
Granted, Grindr is no spring chicken, having been founded when the iPhone was in its infancy. Attitudes toward a Pinterest-like grid of mostly shirtless men, organized by satellite location data, might have been less enlightened at the time. The world has evolved, even as Grindr hasn’t changed much—for better or worse. The company says it still has no proprietary matching algorithm, and there is no Tinder-like swiping. The app is still a very “visual experience,” as creator Joel Simkhai described it to the New York Times in 2014. It is used to find instant community—romantic or otherwise—wherever users go.
LGBTQ+ daters have the potential to be a valuable bunch. Pew Research Center data shows dating-app use varies significantly by sexual orientation. While just 28% of straight adults had tried a dating app or site as of a 2019 survey of U.S. adults, 55% of lesbian, gay or bisexual adults had tried one. Perhaps because of its first-mover advantage, Grindr says it has an 85% brand awareness among gay, bisexual, transgender and queer people, and is the best-known gay-dating app among the general population.
It hasn’t paid much for this. Grindr’s registration statement shows sales and marketing expenses amounted to less than 1% of its overall revenue last year. Match Group and Bumble spent nearly 19% and 28% of their revenue, respectively, on selling and marketing expenses over the same period.
Chalk some of that difference up to size. While on pace potentially to expand its top line faster than its competitors this year, Grindr’s run rate as of June 30 implies the company will put up about $180 million in revenue this year. Wall Street is forecasting that Match Group will generate about $3.2 billion. Most dating-app companies have several brands under their umbrellas. Match, for example, has more than a dozen, but Grindr has remained something of a lone wolf in the dating space.
Which raises the question: If Grindr’s brand was so valuable, wouldn’t a bigger company have bought it by now?
The concern could be a matter of the company’s past missteps, including periods of third-party data sharing of sensitive information such as users’ HIV status and the selling of other user information including location—problems the company says it has long since remedied. Or it could be the more delicate nature of Grindr’s mission. Lingering stigma on being “out” on a dating app persists to varying degrees by location and culture, which could crimp expansion potential. It is worth noting that predominantly straight dating apps such as Match’s Tinder enjoy many LGBTQ+ users.
Perhaps the biggest unknown is how quickly Grindr can increase monetization. Well over a decade into its existence, Grindr had nearly 11 million monthly active users as of last year across 190 countries, but its paid penetration was still under 6%. By contrast, Bumble had about 9% paid penetration as of September 2020 in less than half the time.
Grindr will tell you it has only recently started pushing its monetization efforts with the introduction of a few a la carte paid features this year. But the app’s simplicity could be working against it financially. While you have to pay to message suitors on Tinder before matching, Grindr is a bit like a digital bar, where users can approach and message whomever they see at no cost. While you can pay to see more (and avoid ads), freemium users can see 100 local singles on Grindr. That seems plenty to work with, given that Grindr’s users already spend an average of over an hour a day on the app.
The public market might not welcome Grindr with open arms. Stock-market investors since 2015 have lost an average of 37% of their investment on SPACs a year after the merger through the end of September, The Wall Street Journal reported this month. Meanwhile, Match and Bumble have shed an average of 68% of their market values over the past year as tech stocks have taken a beating and economic pressures have called into question near-term growth of nonessential spending.
Grindr’s latest valuation implies it is worth 17% of the dating giant Match, despite having fewer than 4% of Match’s paid users as of the end of last year.
That mismatch could break some hearts on Wall Street.
ESPN, Formula One Reach New Broadcast Agreement
The deal will keep F1 on the ESPN networks and ABC through 2025
ESPN and Formula One announced a new broadcast deal Saturday that will keep the global motor-sports series on the network through 2025.
The agreement will keep the current commercial-free format for live races on ESPN, ESPN2 and ABC, which are all owned by Walt Disney Co. DIS 3.50% ESPN has broadcast F1 in the U.S. since 2018.
At least 16 races will air on ABC and ESPN each season, the network said in announcing the renewal. ESPN Deportes will continue as the Spanish-language home of F1 in the U.S.
Race weekends will continue to include live telecasts of practice sessions and qualifying, as well as prerace and postrace coverage. The new agreement includes an increased focus on qualifying, with more sessions airing on ESPN or ESPN2.
ESPN said its F1 2021 season set a record for the most-viewed ever on U.S. television, with an average of 949,000 viewers per race. Live F1 telecasts have averaged 1.2 million viewers in 2022, the network said.
F1 has exploded in popularity in the U.S. since the 2019 Netflix documentary series, “Drive to Survive,” first aired.
The terms of the new deal, announced ahead of Sunday’s U.S. Grand Prix in Austin, Texas, weren’t disclosed.
The May telecast of the inaugural Miami Grand Prix had an average viewership of 2.6 million, the largest U.S. audience on record for a live F1 race, ESPN said.
Red Bull co-founder and F1 team owner Dietrich Mateschitz dies at 78
Austrian billionaire turned the energy drink into a global sports empire
Dietrich Mateschitz, co-founder of the Red Bull energy drink company and owner of the brand’s Formula One racing team, has died at the age of 78.
The Austrian entrepreneur turned the caffeinated canned drink into one of the world’s best-known brands, with its “Red Bull gives you wings” slogan and marketing campaigns that revolved around extreme sports.
Mateschitz had a net worth of roughly $20bn, according to Forbes. He and Thai businessman Chaleo Yoovidhya founded Red Bull in 1984, sold their first energy drinks in Austria three years later, and expanded into the US in 1997. Yoovidhya died in 2012.
More than 9.8bn cans of Red Bull were sold globally last year, up by around 24 per cent on the prior year, according to the company’s website. Group revenues increased by a similar percentage to €7.8bn. It employed over 13,600 people at the end of last year.
The inspiration for the energy drink came to Mateschitz during his travels in Thailand as a marketing director for a toothpaste maker now owned by Procter & Gamble.
The Red Bull billionaire also built up a vast sports empire that ranged from Formula 1 racing teams to football clubs. The Red Bull network of football clubs includes Austria-based Red Bull Salzburg, Germany-based RB Leipzig, and the New York Red Bulls.
Mateschitz got into the Formula 1 car racing series in the 1990s, bought the Jaguar racing team in 2004 and entered the following season under the Red Bull name. With Sebastian Vettel at the wheel, Red Bull Racing won both F1 championships — for drivers and constructors — four years running from 2010-13.
However, Red Bull Racing struggled to match Mercedes and British racing driver Lewis Hamilton, a combination that dominated the championships from 2014.
Last year, Red Bull driver Max Verstappen claimed the driver’s title from Hamilton in controversial circumstances at the season finale in Abu Dhabi. The Dutchman has already defended that title and Red Bull is set to seize the constructor’s championship from Mercedes as soon as Sunday’s US Grand Prix in Austin.
Mateschitz’s death emerged on Saturday during the F1 race weekend.
“It’s very, very sad. What a great man,” said Red Bull team principal Christian Horner on Sky Sports. “What he achieved and what he’s done for so many people around the world across different sports is second to none.”
Fellow Austrian Toto Wolff, the team principal at Mercedes, described Mateschitz as one of the world’s greatest entrepreneurs.
“He created a market that didn’t exist with energy drinks out of Salzburg and made one of the best brands in the world. There’s no one like him.”
Second-hand Rolexes: watch out for stupid prices and superfakes
Watchmakers want a slice of the pre-owned market but they may be late to the game
Find yourself with some spare cash? Fancy a luxury timepiece? If you’re new to the market, prepare to be shocked. First, because there are few new watches to be had. Second, because second-hand watches, even when recently made, sell at a premium to the retail price — often at multiples of that figure.
For experienced collectors, this is old news. The UK retail price of a new Rolex Submariner “Hulk” with its deep green face and bezel was “just” £7,550 in 2020 before it was discontinued that year according to the website Swiss Watch Trader.
Data on another site, Chrono24, show that the average second-hand price broke above the retail price in December 2017 and went on rising, peaking at £27,744 this April.
The websites of UK retailers such as Mappin & Webb do not mention prices. They do acknowledge demand for Rolex watches at times outstrips production capacity. Collectors advise tyros to buy their way into the good graces of jewellers who may add their names to waiting lists of up to five years.
Watchmakers are getting in on the act. A new report on the Swiss watch industry from Deloitte predicts that the “pre-owned” market will be worth SFr35bn (£31bn) by 2030 and make up more than half of what it calls the “primary” market.
In a survey of 5,579 consumers in 11 countries, Deloitte found that most buyers of used watches today are in their 30s and 40s. Some makers already offer their own models second-hand. Ironically, they may struggle to compete with the impressively resourced third-party websites offering multiple models and brands.
Haywood Milton of Miltons, which has four UK stores specialising in second-hand Rolexes, describes the market of the past two years as “ridiculous, stupid”. The belief had taken hold that a Rolex could only ever go up in price. Well-paid professionals have pandemic-era savings to spend. While prices have fallen in recent months, Milton says, they have stabilised at a high level.
There is also a dark side to the market, he adds. Thousands of youngsters have become dealers overnight on platforms such as Instagram, where know-your-customer and anti-money-laundering rules have little weight. There is also the recent phenomenon of “superfakes”. The insides of these knock-offs look much like the real thing. Buyer, beware.